Studios & Audiovisual Spaces
Our speciality, built over years of working on prestigious and demanding projects, is the conception and creation of critical listening environments and devices for the audio-recording, radio-broadcasting and audiovisual entertainment spaces.
Today, the excellence of the professionals entrusting us for the conception of their work space testifies to our skills.
The methods and objectives implemented follow the recommendations of the groups AES, EBU/ITU, DTS and DOLBY. The use of traditional calculation methods and the conception of detailed numeric models allows us to achieve high quality results.
The parameters taken into consideration when studying a space are:
De facto,
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The isolation between each studio and common spaces were managed carefully in order to allow everyone to work undisturbed. [1topassit, Bagnolet, 2007] |
When we study a space's acoustics, we systematically consider all elements to be included. [Studios MAIA, Boulogne, 2006] |
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Modelling allows for discussion with the clients, in order to fulfil their wishes as accurately as possible. This virtual model helps to visualize the space to be constructed. [Interférence, Paris, 2007 and 2011] |
We furnish detailed plans so that the companies can put all the elements in place, faithfully respecting what was determined and described in the report. |
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The choice of the colour is the client's responsibility, and we take care of the rest. [ WAM, Clichy, 2008 ] |
Creating sound booths with high-performance acoustics, sound levels, isolation and internal acoustics is one of our specialties. [ THE SHOP, YOUNG & RUBICAM, Boulogne, 2011 ] |
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Audio equipment is placed in order to optimize the clarity of the sound at the precise location of the mix operator's head. [ Globe Audio, 2005 ] |
Your expectations for the arrangement are described in the specifications, but we also propose other alternatives when we think they have merit. |
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Measuring the impulsion response of a diffusion system allows us to know the specific dynamics of the space: here is a waterfall graph. [ Yellow Shark, Paris, 2012 ] |
The finish of innovative acoustic treatments must be studied in detail in order to have successful results. [ Badje, Paris, 2012 ] |
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We work in collaboration with designers in order to create original and aesthetic elements of acoustic treatment. [ Interférence, Paris, 2011 ] |
Adjusting the settings of an audio diffusion system in situ is essential for optimal listening. Regulating active audio processors allows refining technical parameters like frequency response in order to avoid annoyance and fatigue. [ LA FABRIQUE, Saint Rémy de Provence, 2009] |
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